Toutes peintures ā l'huile d'GUERCINO
ID Image Painting(From A to Z)    Details 
7233  
GUERCINO, A Donor Presented to the Virgin lkhi
  		 A Donor Presented to the Virgin lkhi   1616 Oil on canvas, 309 x 192 cm Mus??es Royaux des Beaux-Arts, Brussels
7285  
GUERCINO, Abraham Casting Out Hagar and Ishmael sg
  		 Abraham Casting Out Hagar and Ishmael sg   1657 Oil on canvas, 115 x 154 cm Pinacoteca di Brera, Milan
7286  
GUERCINO, Allegory of Painting and Sculpture sdg
  		 Allegory of Painting and Sculpture sdg   1637 Oil on canvas, 114 x 139 cm Galleria Nazionale d'Arte Antica, Rome
85021  
GUERCINO, An allegory
  		 An allegory   Date 17th century Medium Oil on canvas Dimensions 49 x 96.5 cm (19.3 x 38 in) cjr
88789  
GUERCINO, An allegory
  		 An allegory   17th century Medium Oil on canvas Dimensions 49 x 96.5 cm (19.3 x 38 in) cyf
97362  
GUERCINO, An allegory
  		 An allegory   17th century Medium oil on canvas Dimensions 49 X 96.5 cm cyf
7229  
GUERCINO, Angels Weeping over the Dead Christ hj
  		 Angels Weeping over the Dead Christ hj   1618 Oil on copper, 36 x 44 cm National Gallery, London
29946  
GUERCINO, Apollo and Marsyas
  		 Apollo and Marsyas   mk67 Oil on canvas 73 3/8x80 11/16in Pitti,Palatine Gallery
63969  
GUERCINO, Apparition of Christ to the Virgin
  		 Apparition of Christ to the Virgin   1628-30 Oil on canvas Pinacoteca Civica, Cento , Artist: GUERCINO , Apparition of Christ to the Virgin , 1601-1650 , Italian , painting , religious
71349  
GUERCINO, assumption of the Virgin
  		 assumption of the Virgin   o/c, 116,6 x 92,2 cm, Ackland Art Museum
82777  
GUERCINO, Astrologia
  		 Astrologia   1650-1653 cyf
7232  
GUERCINO, Aurora ihi
  		 Aurora ihi   1621-23 Fresco Casino Ludovisi, Rome
7231  
GUERCINO, Aurora ig
  		 Aurora ig   1621 Fresco Casino Ludovisi, Rome
94812  
GUERCINO, Burial of St Petronilla
  		 Burial of St Petronilla   1623 Type Oil on canvas Dimensions 720 cm x 423 cm cyf
29945  
GUERCINO, Concert Champetre
  		 Concert Champetre   mk67 Oil on copper 13 3/8x18 1/8in Uffizi,Gallery
51122  
GUERCINO, Doubting Thomas
  		 Doubting Thomas   Oil on canvas Residenzgalerie
7234  
GUERCINO, Ermina Finds the Wounded Tancred jg
  		 Ermina Finds the Wounded Tancred jg   1618-19 Oil on canvas, 145,5 x 187,5 cm Galleria Doria-Pamphili, Rome
30549  
GUERCINO, Et in Arcadia Ego
  		 Et in Arcadia Ego   mk68 Oil on canvas 32 1/4x25 1/4" Rome,National Gallery of Art of the Past 1618-1622 Italy
7230  
GUERCINO, Et in Arcadia Ego kh
  		 Et in Arcadia Ego kh   1618-22 Oil on canvas, 82 x 91 cm Galleria Nazionale d'Arte Antica, Rome
20433  
GUERCINO, Hersilia Separating Romulus from Tatius (mk05)
  		 Hersilia Separating Romulus from Tatius (mk05)   ca 1645 Canvas,99 1/2 x 105''(253 x 267 cm)Hersilia,the wife of Romulus and the only married woman carried off in the Roman rape of the Sabines,seeks to separate Romulus from the king of the Sabines.Seized in the Revolution from the collection of the Duc de Penthievre at Paris.INV85
73293  
GUERCINO, Jacob, Ephraim, and Manasseh, painting by Guercino
  		 Jacob, Ephraim, and Manasseh, painting by Guercino   Jacob, Ephraim, and Manasseh, painting by Guercino cjr
53792  
GUERCINO, Jesus and aktenskapsbryterskan
  		 Jesus and aktenskapsbryterskan   mk234 about 1621 98x122cm
51117  
GUERCINO, Magdalen and Two Angels
  		 Magdalen and Two Angels   1622 Oil on canvas Pinacoteca
7249  
GUERCINO, Martyrdom of St Catherine sdg
  		 Martyrdom of St Catherine sdg   1653 Oil on canvas, 222,5 x 159 cm The Hermitage, St. Petersburg
79190  
GUERCINO, Mary Magdalene
  		 Mary Magdalene   circa 1624-1625 Medium Oil on canvas cyf
79946  
GUERCINO, Mary Magdalene
  		 Mary Magdalene   circa 1624-1625 Medium Oil on canvas Current location Blanton Museum of Art cyf
51116  
GUERCINO, Mary Magdalene in Penitence
  		 Mary Magdalene in Penitence   Oil on canvas, 121 x 102 cm
86268  
GUERCINO, Persian Sibyl
  		 Persian Sibyl   Date 1647(1647) Medium Oil on canvas cjr
78122  
GUERCINO, Personification of Astrology
  		 Personification of Astrology   circa 1650-1655 Oil on canvas 80.6 cm x 65.4 cm cjr
81458  
GUERCINO, Personification of Astrology
  		 Personification of Astrology   Date circa 1650-1655 Medium Oil on canvas Dimensions 80.6 cm x 65.4 cm cyf
84339  
GUERCINO, Portrait de lartiste tenant une palette
  		 Portrait de lartiste tenant une palette   1635 Medium Oil on canvas Dimensions 77 x 62 cm (30.3 x 24.4 in) cyf
96142  
GUERCINO, Portrait of Paul Gregory XV
  		 Portrait of Paul Gregory XV   between 1622(1622) and 1623(1623) Medium oil on canvas cyf
56050  
GUERCINO, portrait of shah jahan
  		 portrait of shah jahan   mk247 c.1619,watercolor and gold on paper,8x5 in ,21x14 cm,victoria and albert museum,london,uk
56051  
GUERCINO, raising of lazarus
  		 raising of lazarus   mk247 c.1619,oil on canvas,78.375x91.75 in ,199x233 cm,louvre,paris,france
7237  
GUERCINO, Raising of Lazarus hjf
  		 Raising of Lazarus hjf   c. 1619 Oil on canvas, 199 x 233 cm Mus??e du Louvre, Paris
32611  
GUERCINO, Recreation by our Gallery
  		 Recreation by our Gallery   mk79
56049  
GUERCINO, return of the prodigal son
  		 return of the prodigal son   mk247 c.1619,oil on canvas,42x56 in,107x143.5 cm kunsthistorisches museum,vienna,austria
74233  
GUERCINO, Return of the Prodigal Son
  		 Return of the Prodigal Son   Date 1619 Medium Oil on canvas Dimensions Deutsch: 107 x 143,5 cm Rahmenmaße: 129 x 166 x 11 cm cyf
7236  
GUERCINO, Return of the Prodigal Son klgh
  		 Return of the Prodigal Son klgh   1619 Oil on canvas, 106,5 x 143,5 cm Kunsthistorisches Museum, Vienna
43090  
GUERCINO, Saint Gregory the Great with Saints Ignatius Loyola and Francis Xavier
  		 Saint Gregory the Great with Saints Ignatius Loyola and Francis Xavier   mk170 1625-26 Oil on canvas 296x211cm
84980  
GUERCINO, Samson and Delilah
  		 Samson and Delilah   oil on canvas. Access number 316. Date 1654(1654) cyf
45629  
GUERCINO, Samson brings the parents the Honiguabe
  		 Samson brings the parents the Honiguabe   mk186 1657 San Francisco
70582  
GUERCINO, Samson Captured by the Philistines
  		 Samson Captured by the Philistines   Medium Oil on canvas Dimensions Expression error: Missing operand for *191.1 ?? 236.9 cm
7241  
GUERCINO, Samson Captured by the Philistines uig
  		 Samson Captured by the Philistines uig   1619 Oil on canvas Metropolitan Museum of Art, New York
63828  
GUERCINO, Saul Attacking David
  		 Saul Attacking David   1646 Oil on canvas, 147 x 220 cm Galleria Nazionale d'Arte Antica, Rome This painting was executed along with a pendant, now in Los Angeles, that depicts Samson showing his hair - secret of his superhuman strength - to Delilah. Guercino painted the pair of canvases in 1646 for the Cardinal Falconieri, who was at the time serving as Papal Legate to Bologna. The two paintings were separated at the end of the eighteenth century. Guercino's increasing tendency towards classicism began in the 1630's when the painter fell under the influence of the late work of Guido Reni. Like its pendant, the Saul Attacking David is a splendid example of his late style, a period in which Guercino brought his investigations into classicising style to their fullest conclusion. Despite the dramatic quality of the narrative, the composition of the painting is extremely balanced: everything centres on the monumentality of the two figures, contrasting protagonists of the scene. Almost frozen in their action, they are displayed entirely in the foreground, as if in a relief sculpture. The chromatic range, light and highly refined, is rather far from the richly impasted mode of the artist's youth, as is the way in which the shadows ably underline the plastic quality of the two personages.Artist:GUERCINO Title: Saul Attacking David Painted in 1601-1650 , Italian - - painting : religious
95893  
GUERCINO, St Augustine
  		 St Augustine   first half of 17th century Medium oil on canvas cyf
7248  
GUERCINO, St Augustine sdg
  		 St Augustine sdg   Oil on canvas S. Pietro in Vincoli, Rome
7244  
GUERCINO, St Augustine Washing the Feet of the Redeemer kg
  		 St Augustine Washing the Feet of the Redeemer kg   Oil on canvas S. Agostino in Campo Marzio, Rome
7246  
GUERCINO, St Augustine, St John the Baptist and St Paul the Hermit hf
  		 St Augustine, St John the Baptist and St Paul the Hermit hf   Oil on canvas S. Agostino in Campo Marzio, Rome
7255  
GUERCINO, St Francis with an Angel Playing Violin sdg
  		 St Francis with an Angel Playing Violin sdg   Oil on canvas, 162 x 127 cm Gemäldegalerie, Dresden
95952  
GUERCINO, St Gregory the Great with Sts Ignatius and Francis Xavier
  		 St Gregory the Great with Sts Ignatius and Francis Xavier   circa 1626(1626) Medium oil on canvas cyf
84355  
GUERCINO, St John the Baptist
  		 St John the Baptist   ca. 1645(1645) Medium Oil on canvas cyf
51121  
GUERCINO, St Luke Displaying a Painting of the Virgin
  		 St Luke Displaying a Painting of the Virgin   1652-53 Oil on canvas Nelson-Atkins Museum of Art, Kansas City
7256  
GUERCINO, St Marguerite sdg
  		 St Marguerite sdg   Oil on canvas S. Pietro in Vincoli, Rome
63827  
GUERCINO, St Romuald
  		 St Romuald   1640-41 Oil on canvas, 292 x 184 cm Pinacoteca Comunale, Ravenna In his last period Guercino proceeded to a marked classicism by eliminating the 'chiaroscuro' effects of the earlier years. Romuald (c. 952-1027) was a Benedictine monk who entered the Order as an act of atonement after his father had murdered a relative. Finding the monastic life of his day in need of reform he founded communities that were vowed to solitude and silence, of which the best known was the monastery of Camaldoli in the Appenines near Arezzo. Romuald is old and white-bearded and is dressed in the habit of the Camaldolese Order, a striking loose-flowing white garment with wide sleeves.Artist:GUERCINO Title: St Romuald Painted in 1601-1650 , Italian - - painting : religious
7243  
GUERCINO, St William of Aquitaine Receiving the Cowln ngb
  		 St William of Aquitaine Receiving the Cowln ngb   1620 Oil on canvas Pinacoteca Nazionale, Bologna
29948  
GUERCINO, St.Peter Revives Tabitha
  		 St.Peter Revives Tabitha   mk67 Oil on canvas 52 5/16x62 13/16in Pitti,Palatine Gallery
29947  
GUERCINO, St.Peter Revives Tbitha
  		 St.Peter Revives Tbitha   mk67 Oil on canvas 52 5/16x62 13/16in Pitti,Palatine Gallery
28650  
GUERCINO, Susanna and the Elders
  		 Susanna and the Elders   mk61 1617 Oil on canvas 175x207cm
7242  
GUERCINO, Susanna and the Elders kyh
  		 Susanna and the Elders kyh   1617 Oil on canvas, 175 x 207 cm Museo del Prado, Madrid
43092  
GUERCINO, The Angel Appearing to Hagar and Ishmael
  		 The Angel Appearing to Hagar and Ishmael   mk170 1652-1653 Oil on canvas 193x229cm
43091  
GUERCINO, The Cumaean Sibyl with a Putto
  		 The Cumaean Sibyl with a Putto   mk170 1651 Oil on canvas 222x168.5cm
43089  
GUERCINO, The Dead Christ Mourned by two Angels
  		 The Dead Christ Mourned by two Angels   mk170 1617-1618 Oil on copper 36.8x44.4cm
30575  
GUERCINO, The Dying Cleopatra
  		 The Dying Cleopatra   mk68 Oil on canvas Genoa c.1648 Italy
7251  
GUERCINO, The Entombment of Christ sdg
  		 The Entombment of Christ sdg   1656 Oil on canvas Art Institute of Chicago, Chicago
7253  
GUERCINO, The Flagellation of Christ dg
  		 The Flagellation of Christ dg   1657 Oil on canvas 250 x 185 cm Galleria Nazionale d'Arte Antica, Rome
7235  
GUERCINO, The Martyrdom of St Peter jg
  		 The Martyrdom of St Peter jg   1618-19 Oil on canvas, 320 x 193 cm Galleria Estense, Modena
7240  
GUERCINO, The Resurrected Christ Appears to the Virgin hf
  		 The Resurrected Christ Appears to the Virgin hf   1629 Oil on canvas, 260 x 179 cm Pinacoteca Comunale, Cento
33583  
GUERCINO, The Return of the Prodigal Son
  		 The Return of the Prodigal Son   mk86 1619 Oil on canvas 106.5x143.5cm Vienna,Kunsthistorisches Museum
39620  
GUERCINO, The return of the prodigal son
  		 The return of the prodigal son   mk150 c.1619 Canvas 107x143.5cm
55759  
GUERCINO, The Return of the Prodigal son
  		 The Return of the Prodigal son   mk244 106.5x143.5cm Oil on canvas
21537  
GUERCINO, The Return of the Prodigal Son ( mk08)
  		 The Return of the Prodigal Son ( mk08)   1619 Oil on canvas, 106.5x143.5cm Vienna,Kunsthistorisches Museum
51124  
GUERCINO, Venus, Mars and Cupid
  		 Venus, Mars and Cupid   1633 Oil on canvas Pinacoteca Estense
42700  
GUERCINO, Woman that self undresses
  		 Woman that self undresses   MK169 ca. 1620 Plants ink on paier 25.6x20.7cm British Museum. Rewarded
GUERCINO
Italian Baroque Era Painter, 1591-1666 best known as Guercino or Il Guercino, was an Italian Baroque painter from the region of Emilia, and active in Rome and Bologna. Guercino is Italian for squinter, a nickname that was given to him because he was cross-eyed. He is especially noted for his many superb drawings. Guercino was born at Cento, a village between Bologna and Ferrara. By the age of 17 he was associated with Benedetto Gennari, a painter of the Bolognese School. By 1615 he moved to Bologna, where his work earned the praise of an elder Ludovico Carracci. He painted two large canvases, Elijah Fed by Ravens and Samson Seized by Philistines, in what appears to be a stark naturalist Caravaggesque style (although it is unlikely he had been able to see any of the Roman Caravaggios first-hand). They were painted for Cardinal Serra, Papal Legate to Ferrara. The Arcadian Shepherds (Et in Arcadia ego) was painted in 1618 contemporary with The Flaying of Marsyas by Apollo in Palazzo Pitti. His first style, he often claimed, was influenced by a canvas of Carracci in Cento. Some of his later pieces approach rather to the manner of his great contemporary Guido Reni, and are painted with more lightness and clearness. Guercino was esteemed very highly in his lifetime. He was then recommended by Marchese Enzo Bentivoglio to the Bolognese Ludovisi Pope, Pope Gregory XV. His two years (1621-23) spent in Rome were very productive. From this stay date his frescoes of Aurora at the casino of the Villa Ludovisi and the ceiling in San Crisogono (1622) of San Chrysogonus in Glory; his portrait of Pope Gregory (now in the Getty Museum, and, what is considered his masterpiece, The Burial of Saint Petronilla or St. Petronilla Altarpiece, for the Vatican (now in the Museo Capitolini). The Franciscan order of Reggio in 1655 paid him 300 ducats for the altarpiece of Saint Luke Displaying a Painting of the Madonna and Child (now in Nelson-Atkins Museum of Art, Kansas City). The Corsini also paid him 300 ducats for the Flagellation of Christ painted in 1657.



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